
info@juzhikan.asia
AL-FARABI KAZAKH NATIONAL UNIVERSITY,Almaty Kazakhstan,050040;
Abstract: This article takes the theories of platform capitalism and digital feminism as a framework to analyze the cross-border practices, discourse strategies, and algorithmic predicaments of feminist expression on TikTok, a global short-video platform. The research indicates that feminism on TikTok presents a mixed form of "emotionalization" and "visualization". The creator has effectively achieved cross-cultural mobilization and issue dissemination by employing strategies such as irony, memes, body performances, and micro-narratives. However, under the logic of the platform economy, this expression also faces structural compression: The gender bias contained in the algorithmic recommendation mechanism often limits the visibility of serious issues. The review of "content security" shows different political controls in different regions, while the preference for entertainment and commercialization of traffic prompts feminist content to continuously adjust itself and undergo lightweight packaging. This article relies on the analysis of user interaction data and typical cases It reveals the contradictory state of digital feminism on TikTok, which is full of empowerment potential but deeply trapped in the dual predicament of platform governance and commercial incorporation, providing a critical perspective for understanding gender political practices in the era of social media.
KeyWords: Digital Feminism;Social Media ;Platform Economy;TIKTOK; Transnational Practice;Algorithmic Dilemma
References
[1]Saara Ratilainen,Galina Miazhevich,Daniil Zhaivoronok & Eeva Kuikka.(2025).Contesting Feminism and Media Culture in Contemporary Russia:From Celebrities to Anti-war Activists.Taylor & Francis,
[2]Joanna Large & Natasha Mulvihill.(2025).The New Experts of Online Dating: Feminism, Advice, and Harm on Instagram.Social Media + Society,11(2), https://doi.org/10.1177/20563051251340514.
[3]Margreth Lünenborg & Annabella Backes.(2025).Affective Dynamics in #MyBodyMyChoice Memetic Performances on TikTok: Between Feminist Killjoys and Happy Feminism.Javnost - The Public,32(2),141-166. https://doi.org/10.1080/13183222.2025.2502712.
[4](2025).The making of ‘China’s’ first skiing princess: Neo-liberal feminism and nationalism in Eileen Gu’s online presence during the 2022 Winter Olympics.East Asian Journal of Popular Culture,11(1),45-63. https://doi.org/10.1386/EAPC_00103_1.
[5]Hazel T. Biana.(2025).Engaged Buddhism: An Ethics of Nonviolence for Online Feminism.Journal of Dharma Studies,8(2),1-22. https://doi.org/10.1007/S42240-024-00198-5.
[6]Athira B. K. & Jue Jiang.(2024).Reports from the field of digital feminism: the uses of online spaces by Muslim women in India and the “genesis of online feminism” in China.International Feminist Journal of Politics,26(5),1152-1172. https://doi.org/10.1080/14616742.2024.2428802.
[7]Cui Yurong.(2022).Comparative Research of feminist content on Tiktok and Weibo.(eds.)